As is often the case nowadays, Marc Riley’s 6 Music show is where I first came across Madonnatron, when they came in to play a session. Very good it was too. Since then they’ve recorded another sesh for Marc and their music has been showcased regularly elsewhere on 6 Music. They’ve toured with Meatraffle and The Moonlandingz as well as performing recently at the Green Man Festival.

Now they’ve released a self-titled debut album on Trashmouth Records.

Madonnatron

Movie gurus often instruct screenplay writers to outline characters when we first meet them in only three words and on their Facebook page, Madonnatron describe themselves similarly, in their case ‘Psychedelic Witch Prog’.

If you’re worried about that last part, don’t worry, the album does include a couple of fluid Pink Floydy basslines and the occasional organ sound that I’m sure Rick Wright might well have influenced but these are more from the psychedelic era Floyd. There’s no grand concept here (unless it’s escaped me), no weird time signatures, no ten minute drum solos and no fold-out sleeve designed by Roger Dean (although the Pope might have preferred that).

Psychedelic Witch Post-Punk might be a more accurate three word description – well, Microsoft Word counts hyphenated words as one, so I don’t think I’m cheating here. Saying that, Psychedelic Witch Prog does have a better ring to it.

Madonnatron have only been together for around a year and a half and apparently they couldn’t play their chosen instruments when they started off.

More proof then that Malcolm Gladwell’s 10,000 hour rule – which I alluded to a few posts back – is far from infallible. They might not be as technically proficient as some but they sure know how to concoct a gloriously primal racket with desperate vocals and harmonies that (I guess) are sometimes deliberately discordant but all the better for it.

It’s an often dark, searingly angry and eerie album. And, yeah, it is rather bewitching.

Highlights include Mother’s Funeral and Sangue Neuf, where they strike up a furiously feral chant like a girl gang moonlighting as a garage band; Be My Bitch has a great rockabilly guitar sound with the reverb cranked up really high while Glen Closer comes over like a female goth band that have just recruited Elena Poulou.

Best of all is album opener Headless Children. This is one of the most invigorating tracks released so far in 2017 and it comes with an inspired promo too.

Set the Controls for the Heart of the Moon (during the Witching Hour of course):


Three words to sum up the album. Top fucking notch.

Madonnatron are playing live tomorrow at the Windmill Brixton as part of the Strong Island Recordings all-dayer and they’re set to tour the country in early 2018.

If you wanna find out more, here’s where you can find them on Facebook and Bandcamp.

*

It’s been a whole fortnight since I last featured Girl Ray. Luckily they’ve just released a new video for Don’t Go Back At Ten from their fantastic debut album Earl Grey, which gives me a great excuse for including them here again.

‘The joyous visuals,’ according to the Fader, ‘transport things back to a time when TRL dominated the culture’, which I think means it’s a parody of the kind of crap videos that I spend my life attempting to avoid.

No need to avoid this though. Here is Don’t Go Back At Ten:


If you wanna see Girl Ray – and why wouldn’t you? – here are the band’s upcoming British tour dates:

Leeds, Headrow House (October 31)
Manchester, Gullivers (November 1)
Glasgow, Broadcast (November 2)
Newcastle, Think Tank Underground (November 3)
Birmingham, Hare & Hounds (November 5)
Oxford, The Cellar (November 6)
Bristol, Louisiana (November 7)
Brighton, Green Door Store (November 8)
London, The Scala (November 9)

For more on Girl Ray click here.

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