The upcoming remake of Suspiria isn’t something that I’ve been getting too excited over.

If you read my previous post you’ll know I’m a Dario Argento fan and like most fans, I tend to balk at the idea of remakes of films that I’ve cherished for years – I first saw Suspiria during a short run in Glasgow at the tail end of 1977. Although my memory might be faulty here I think I can just about remember it being part of a X certificate double bill with Black Christmas. Oh and me still underage! Those were the days, my friends.

Despite my completely predictable reservations about the reboot, I was curious enough to have a gander at the trailer when it was released earlier tonight.
Surprisingly enough, it does look promising enough. If I hadn’t known it was for the remake of Argento’s supernatural horror classic, it might even have sold me on the film. And I can confidently predict that, if nothing else, the ballet this time round will be more authentic.

Notably, it looks as if Guadagnino has completely ditched the neon primary colours of Argento’s original – which is very possibly the reddest movie ever made – and doesn’t seem to be following the original script too closely either. Indeed, Guadagnino has voiced his opinion that while his movie is ‘inspired by the same story… it goes in different directions, it explores other reasons.’

Trailers, of course, aren’t the most reliable indication of whether a film will be any good or not. At this stage pedigree is more important.

Directed by recent Oscar nominee Luca Guadagnino (Call Me By Your Name), the remake stars Dakota Johnson (Guadagnino’s A Bigger Splash) and Chloë Grace Moretz (Kick-Ass) together with frequent Guadagnino collaborator Tilda Swinton. Jessica Harper, the star of the original, also appears in a new and much smaller role. Thom Yorke is providing the score.

So, a very decent pedigree. Well, if we ignore the fact that Johnson also starred in that 50 Shades nonsense.

Okay, here I have to admit that despite the talent involved, there’s next to no chance that this film will match the magic of Argento’s masterpiece.

Hopefully, though, a decent percentage of younger cinema-goers who have never seen the original will be persuaded to seek it out.

Currently in post-production, Suspiria should make it to British cinemas around November of this year.