Headless Children & Don’t Go Back At Ten

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As is often the case nowadays, Marc Riley’s 6 Music show is where I first came across Madonnatron, when they came in to play a session. Very good it was too. Since then they’ve recorded another sesh for Marc and their music has been showcased regularly elsewhere on 6 Music. They’ve toured with Meatraffle and The Moonlandingz as well as performing recently at the Green Man Festival.

Now they’ve released a self-titled debut album on Trashmouth Records.

Madonnatron

Movie gurus often instruct screenplay writers to outline characters when we first meet them in only three words and on their Facebook page, Madonnatron describe themselves similarly, in their case ‘Psychedelic Witch Prog’.

If you’re worried about that last part, don’t worry, the album does include a couple of fluid Pink Floydy basslines and the occasional organ sound that I’m sure Rick Wright might well have influenced but these are more from the psychedelic era Floyd. There’s no grand concept here (unless it’s escaped me), no weird time signatures, no ten minute drum solos and no fold-out sleeve designed by Roger Dean (although the Pope might have preferred that).

Psychedelic Witch Post-Punk might be a more accurate three word description – well, Microsoft Word counts hyphenated words as one, so I don’t think I’m cheating here. Saying that, Psychedelic Witch Prog does have a better ring to it.

Madonnatron have only been together for around a year and a half and apparently they couldn’t play their chosen instruments when they started off.

More proof then that Malcolm Gladwell’s 10,000 hour rule – which I alluded to a few posts back – is far from infallible. They might not be as technically proficient as some but they sure know how to concoct a gloriously primal racket with desperate vocals and harmonies that (I guess) are sometimes deliberately discordant but all the better for it.

It’s an often dark, searingly angry and eerie album. And, yeah, it is rather bewitching.

Highlights include Mother’s Funeral and Sangue Neuf, where they strike up a furiously feral chant like a girl gang moonlighting as a garage band; Be My Bitch has a great rockabilly guitar sound with the reverb cranked up really high while Glen Closer comes over like a female goth band that have just recruited Elena Poulou.

Best of all is album opener Headless Children. This is one of the most invigorating tracks released so far in 2017 and it comes with an inspired promo too.

Set the Controls for the Heart of the Moon (during the Witching Hour of course):


Three words to sum up the album. Top fucking notch.

Madonnatron are playing live tomorrow at the Windmill Brixton as part of the Strong Island Recordings all-dayer and they’re set to tour the country in early 2018.

If you wanna find out more, here’s where you can find them on Facebook and Bandcamp.

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It’s been a whole fortnight since I last featured Girl Ray. Luckily they’ve just released a new video for Don’t Go Back At Ten from their fantastic debut album Earl Grey, which gives me a great excuse for including them here again.

‘The joyous visuals,’ according to the Fader, ‘transport things back to a time when TRL dominated the culture’, which I think means it’s a parody of the kind of crap videos that I spend my life attempting to avoid.

No need to avoid this though. Here is Don’t Go Back At Ten:


If you wanna see Girl Ray – and why wouldn’t you? – here are the band’s upcoming British tour dates:

Leeds, Headrow House (October 31)
Manchester, Gullivers (November 1)
Glasgow, Broadcast (November 2)
Newcastle, Think Tank Underground (November 3)
Birmingham, Hare & Hounds (November 5)
Oxford, The Cellar (November 6)
Bristol, Louisiana (November 7)
Brighton, Green Door Store (November 8)
London, The Scala (November 9)

For more on Girl Ray click here.

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Best of the Year 2016 (Part One)

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Thirty tracks, ten films and five books, so a festive 45 of sorts. Not a vintage year for music (sadly I seem to say that every year nowadays) but as ever there has been plenty of excellent new singles and albums, in fact, I could easily have compiled a top one hundred.

best-of-the-year-artists-1

This 50-something’s favourites include music by a man in his 70s, a man pushing 70 and a man who died aged 69, namely Ian Hunter, Iggy Pop and, of course, David Bowie but I’m going to kick off with some new talent in the shape of Australian singer/songwriter Gabriella Cohen.

Former front woman of The Furrs, Gabriella has been lazily compared to Courtney Barnett; well, both are female, Melbourne based and get filed under indie but they don’t really have that much in common musically apart from a flair for making instantly enjoyable music.

Cohen’s debut album, Full Closure and No Details, is a self-produced collection of ten tracks brimming with an assurance and vitality that suggest she is definitely one to watch. Here’s my favourite cut from it, Downtown:



I did think Steve Mason deserved to win this year’s SAY Award with Meet the Humans but instead the judges voted that Scotland’s Album of the Year was Varmints by Anna Meredith, which would have been my number two.

One of the things I like about Anna is that in an age where every second Scottish act sometimes seem to be playing almost identikit folk inflected indie, she does her own classical/electronic/art pop/experimental thang with a perky playfulness that proves to be sonically intriguing, sometimes even provocative.

In the past this former Composer-in-Residence with the BBC Scottish Symphony Orchestra has been commissioned to make music utilising MRI scanners and performed ‘body percussion pieces’ which I haven’t seen/heard but which sound more innovative and ambitious than some sensitive indie guy singing songs of yearning on his acoustic guitar.

I’m gonna have to warn you that this video contains strobing/flashing lights throughout. This is Anna Meredith with The Vapours:


And now for some of Anna’s Moshi Moshi labelmates.

A big favourite of Unthought of, though, somehow, where I first came across them, Girl Ray (no relation to Man Ray or even poor old Johnnie Ray) recently recorded a session for Marc Riley and have supported the likes of Ezra Furman and Hooton Tennis Club in the past coupla months. Hopefully we get to hear a lot more of them in 2017.

Here they are with Trouble:


Here’s six more favourites to make up the first third of my musical selections:

Fat White Family: Breaking into Aldi
Rituals: Black River
The Limanas: Garden of Love
Stoor: Witchfinder General
Cate LeBon: Wonderful
&
The Parrots: Too High to Die

For more on Gabriella Cohen:
https://www.facebook.com/gabriellacohenmusic/

Steve Mason:
https://www.facebook.com/Steve-Mason-197724901872/?fref=ts

Anna Meredith:
http://www.annameredith.com/

Girl Ray:
https://www.facebook.com/girlraylondon/