Before a coupla weeks ago I think the last time I had heard Gimme Your Heart by Glasgow band The Subs on the radio might have been back in the days when Radio Clyde ran a weekly punk show called Street Sounds hosted by Brian Ford in the late 1970s.

If I have given the matter any real consideration I would have doubted I would ever come across the song again on the airwaves but tuning into Billy Sloan sitting in for Brian Morton on BBC Radio Scotland’s Morton Through Midnight show* I was in for a pleasant surprise. And not only did Billy give The Subs a spin, he also followed it with a track called In The Lonely Place by House Of Plywood, an act that that includes former Subs vocalist Callum Cuthbertson. Very good it was too.

But getting back to The Subs… Originally known as The Subhumans, the band made rapid headway after forming in the white heat of the punk revolution. They recorded a demo which impressed London’s best independent label, Stiff, who invited the lads down south, where they took part in a Stiff audition night at the Royal College of Art.

Stiff must have liked what they saw as they quickly signed the Glaswegians for a one-off single (on their 1-Off imprint) which was recorded at Pathway Studios in the capital and produced by Larry Wallis, an early member of Motörhead and also a Stiff recording artist at the time.

Live favourite Gimme Your Heart was selected as the A side and the single’s centre came adorned with a typical Stiff slogan ‘The shape of things that win’.

Reviews were generally good with fanzine Next Big Thing, calling the 45 the ‘best Scots vinyl offering since Good Sculptures’, while NME picked up on the ‘Neanderthal Man drumming from Ali Mackenzie’ and Cuthbertson’s ‘suitably disgruntled’ vocals, which I think were both meant as compliments.

‘The Subs created quite a ripple at the Rochester Castle in what was one of the group’s first London gigs,’ Nick Tester wrote in April ’78 in Sounds, a magazine that was obviously rooting for the band: ‘The Subs are in fact like a stainless steel carving knife, rawness combined with a clean edged melody which utterly carves up any opposition in these supposed Power Pop times. Enough hooks to hang your C&A bondage pants out to dry.’

Released in March 1978, this is Gimme Your Heart:

Despite recording one of the finest Scottish singles of the era, even by the blink and they’ll be gone standards of the day, The Subs were destined to enjoy only a very brief shelf life and sadly Gimme Your Heart would be their one and only release.

Drummer Ali Mackenzie left the band and they roped in Brian McGee of Simple Minds to replace him for a support slot they’d nabbed for a Graham Parker and The Rumour gig at Strathclyde Uni. The show was deemed a success but before long bassist Derek Forbes decided to join McGee in Simple Minds and guitarist Kevin Key took up the invitation to expand the ranks of The Jolt into a four piece.

Ali Mackenzie notably set up independent label Cuba Libre, which released records by James King and The Lonewolves, The Cuban Heels (who he later joined) and occasional Barras Market buskers The Shakin’ Pyramids, whose 1981 album Skin’ Em Up he also produced. From it and with a whole lotta shakin’ goin’ on, this is opening track Take a Trip:

As for Cuthbertson, well, he later carved out a career as an actor with a string of appearances in theatre, TV and film, appearing most recently in BBC Scotland sitcom Gary Tank Commander and the 2013 romcom Not Another Happy Ending, where he played the pub quiz fanatic father of Jane Lockhart (Karen Gillan).

* Available to hear for a week or so here if you live in Britain or know how to use proxy servers: